Tekleab Hailemichael is one of Eritrea’s most versatile creative forces, a man whose work touches nearly every aspect of the nation’s contemporary arts scene. Affectionately known as “the studio man,” he is a prodigious talent who spans singer-songwriter, composer, cameraman, video editor, sound designer, and lighting designer. His contributions are central to the National Festivities Committee, and his technical and artistic fingerprints are found on beloved Eri-TV series (Berhe Beal Rsti), short films (Hyab Ngus, Qesar), and his own widely recognized song, “Wezbi Ita Mshet.”
In this interview, Tekleab discusses the philosophy behind his multi-disciplinary career, the crucial role of sound in traditional storytelling, and the bittersweet story of his earliest hit.
- Your resume is extensive. What is the secret to mastering so many diverse creative and technical professions?
First and foremost, it’s the burning desire for knowledge that constantly boils inside me. Then come the practical moments that push you to study things more deeply—to find solutions and grow. Every challenge becomes an opportunity to learn something new. I believe this constant pursuit of knowledge is the real secret.
- As a “studio man,” what exactly does your role encompass on a day-to-day basis?
I manage creative spaces like music, art, and broadcast studios. That includes handling all technical setup, coordinating teams, maintaining equipment, and providing support to artists or producers throughout the creative process. It’s a role that demands both technical precision and artistic sensitivity to bring a vision to life.
- Tell us about your beginnings. How did you first enter the world of art and music?
Like many kids in my neighborhood, I grew up playing the krar, a traditional Eritrean instrument, simply for fun. Over time, I began singing at weddings and other celebrations. My first big project came in 2005 when I collaborated with artists like Tefalem Arefaine (Korchach), Tesfay Mengesha, and the late Abdu Yosuf to release a selection album. Each of us contributed four to five songs, which were distributed on cassette tapes.
- We understand that the album launch had an unexpected turn.
Yes, unfortunately, the songs leaked before the official release—but they quickly became widely popular. People sang them everywhere, often not knowing who the original artists were. It was bittersweet —we missed the planned official debut — but it showed how deeply the music connected with the people.
- You mentioned you recorded that album yourself. Was that the turning point that led you away from singing and into the technical side of the studio?
Alongside singing, I was deeply passionate about recording. I actually recorded that first album myself, though I was still an amateur at the time and grateful to Alazar Misgina (Jerry) for assisting with the vocal recordings. As I got closer to the studio world and saw the technical possibilities, I became fully immersed—and I’ve stayed in it ever since.
- Why are soundtracks so crucial in films and series?
They create a crucial emotional bridge between the viewer and the story. Every film deserves a unique soundtrack because, no matter how perfect the script or acting is, the music breathes life into the entire work. Especially in traditional cinema, the music must be powerful enough to make viewers feel like they’re living the moment—no matter where they are physically watching the film.
- When you begin a project, what is your process for creating a compelling soundtrack?
I study the script thoroughly—every character, the storyline, the genre— everything that helps me craft the right soundscape. Only then do I begin shaping the emotional “color” of the soundtrack. It’s a process that requires both deep intuition and disciplined research.
- You mention focusing primarily on traditional soundtracks. How do you balance tradition with modern creative demands?
I mainly focus on traditional soundtracks. Though I grew up in town and don’t claim deep expertise in all traditional music, I dedicate myself to extensive research and study of past works to make it as authentic as possible. My biggest reference, however, is society itself. Balancing tradition and creativity keeps us connected to our roots. I aim to create music that touches every citizen’s heart.
- What is the larger cultural message you hope to express through your work?
Our society is prosperous with sounds—from traditional instruments and the unique intonations of our speech to the ambient sounds of our environment. That is the authentic voice we should be sharing with the world, even from a cultural and tourist perspective. It’s not just music; it’s an artistic message. I believe soundtracks are a powerful way to express our emotions, identity, and creativity. When we present traditional works globally, the soundtrack becomes a vital part of our national cultural voice.
- The public knows you first as a singer. Do you plan to return to that side of your career?
That’s a question I still haven’t fully answered—did I leave singing, or did it leave me? My love for it still burns. I still sing in the film logos I create, but I haven’t released anything publicly in a long time. Honestly, singing isn’t my primary profession, but as long as the passion is alive, I have songs waiting to be shared with the public in the near future. It’s not about quantity—it’s about quality and connection.
- Have you had a moment where your past work unexpectedly inspired a new generation of artists?
Yes, actually. One day, a young artist came to my studio to record a song. After the session, he asked for advice on the mixing. To illustrate his point, he played a track and said, “I want it to sound exactly like this—the balance, the emotion, the clarity.” The song he played was “Wezbi Ita Mshet.” I smiled and said, “That’s my song.” He was surprised and excited. It was a humbling moment—to see your work become a reference point for someone else’s creative journey.
- Your colleagues often praise your generosity and collaborative spirit. How do you manage to maintain strong relationships amid such a demanding schedule?
Strong relationships remind us of who we are and where we come from. They create the dynamic space needed for growth. I focus on building meaningful connections because it is love that draws people to you—not money. And for me, that’s what truly matters in this life.
- Do you have any final thoughts you’d like to share with our readers?
Art is a journey, not a destination. Whether I am working through sound, light, or song, I strive to contribute something meaningful to my society. If my work can touch even one heart, then I feel I have done my part.
- Thank you so much for your time, Tekleab.
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